#i was going to write this up anyway but

[mirqmarq428]

Powershell syntax is not confusing

(you are just confused because posix compliant shells have corrupted your mind)

> do-action -param "string" $variable (do this first) [type]value

To declare a function:

function do-mythings {

param([int]$argument)

$argument + 5

}

> do-mythings -arg 5

10

That's all you need to get started.

Numbers are just numbers.

Inline math just works. Parentheses for order of operations.

Strings you put in quotes - double quotes allow interpolation, single quotes don't. This is the same as sh.

All variables are prefixed with $s. Even when declaring them. This makes slightly more sense than sh.

A region in {squirrelly braces} gets the [scriptblock] data type. It's like a lambda but comprehensible by mere mortals.

if (test) {success} else {fail} - the test is always executed first because (). Success and fail conditions only depending on the test. They're script blocks. No weird special syntax, if may as well be a user function.

Functions can be named anything, but the convention is Verb-PlaceThing. Not case sensitive.

Named arguments are specified with a single hyphen, like MIT Unix software (xorg for instance). If there is only one parameter the name is optional, etc. Param names can be abbreviated as long as they aren't ambiguous. This is also easy to follow with your own functions, unlike in sh (fricking hate getopt).

Types are inferred dynamically because it's easier to write scripts that way. If you need to force something (variable, expression, whatever) to have a specific type, put it in [brackets] beforehand. The type names are the same as c# and every other post-algol language. For comparison, posix shell only has one type, String.

To make an array, @(item1, item2, etc)

To make a hashtable, @{

key1 = val1

key2 = val2

}

Adding strings concatenates them together. Adding numbers adds their values. If this is not satisfactory, declare their types and it will work.

All expressions are technically objects with properties and methods. $var.property returns the value of that property. $var.invokeMethod() runs the method, which is just a function built into that data type by some poor intern 20 years ago.

Pipes (|) work similarly to sh, but transfer objects. The current object in the pipeline is always the variable $_.

As a bonus, here's a one-liner for opening Internet Explorer on Windows 11 (they lied, it's still there, they will never remove it)

(new-object -com "InternetExplorer.application").visible = $true

COM is an old windows api. Com Objects are just instances of apps. We open internet explorer as a com object.

The parentheses sets that as an expression, and its return value _is_ the exploder. It has properties like visibility, which is $false by default. This is boring so set it to $true. Now we have a real working instance of an app they've been trying to remove for years, because they can't actually remove it merely hide it away. As long as the windows api can parse HTML, this will still work.

[vulpinesaint]

quiz enjoyers! i am now inviting you to come create something in my workshop❕

[daisywords]

One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.

Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.

It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?

Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[corkinavoid]

DPxDC My Brother in the Mirror

Damian doesn't like mirrors.

He never mentioned the fact to other members of the family, but they are detectives and vigilantes, it's their job to be observant. Which, after so many years, becomes a habit.

Damian doesn't actively avoid the mirrors - he has a mirror in his bathroom, he didn't express any discomfort over going into a mirror labyrinth at some carnival they've attended (he expressed disgust over taking part in something so stupid, in his words, but that's a whole another story), and he actually spent a few minutes in front of the funhouse mirrors when no one was looking, watching his own reflection distort in various ways. He also has no problems with his self-image - he doesn't mind pictures of him taken at any time (unless it's Tim, but that's, again, a whole another story), he's drawn a few self-portraits that were rather accurate and he liked them.

He just doesn't like mirrors. For some reason.

His family, both close and extended, never questioned it. They did some gentle research to see if the dislike was caused by some kind of problem Damian was experiencing without telling anyone, but when they found no proof of that, they've just decided it was some quirk of his. Everyone has quirks. Dick doesn't like eating cereal like a normal person, Tim despises sleep, Steph is at war with any color other than purple.

That is, until one day, Tim witnesses Damian sitting in front of a mirror.

He is not even aware of it - the whole family is having a game night, and through some arguments and rearrangements on the couch, Damian ends up sitting on the left side of it, where his back is turned to one of the three mirrors in the room. Tim, who's lost the last round, is slumping in an armchair nearby, pointedly looking away from the screen where Damian and Jason are enthusiastically competing over the first place in Mario Cart. Of course, Tim can't just not watch it since he needs to know their strategies. But turning back around would also be admitting defeat.

The solution? Easy, watch the screen through the mirror.

Which is when he notices it.

Damian in the mirror doesn't act the same as Damian in the room. Out of the corner of his eye, Tim can see the real Damian moving around, shoving Jason with his elbow, fully concentrated on the game, and yelling something. Damian-in-the-mirror is sitting unnaturally still, the back of his head over the couch unmoving.

Tim forgets all about the game when Damian's reflection starts to turn around. Slowly and carefully, eerie in the way the horror movies are, the boy in the mirror turns his head around like an owl, his neck twisting inhumanely.

His eyes are green. Green like the toxic waste, like Jason's madness, like acid in cartoons, like the Waters of Lazarus.

Damian in the mirror smiles, his unblinking, gliwing eyes fixed on Tim, and his teeth are sharp and pointy, and there are too many of them, humans can't smile this wide.

"-im? Tim!" A hand nudges him in the shoulder, and Tim looks away from the mirror, finding Dick standing over him. The noise of the game room returns all at once, and, wait, when did it become quiet for Tim?.. He must have a strange expression on his face because Dick's easy smile falls slightly, and he frowns, "Is everything okay?"

Tim looks back to the mirror, but the green-eyed boy in the mirror is gone, and the mirror only reflects Damian as he is: sitting on the couch.

"Yeah," Tim shakes his head and forces a smile on his lips, "I just zoned out."

"Okay," Dick pats him on the shoulder and gives him the controller, "It's your turn now."

Tim takes the controller and turns around, facing the screen. Tim throws a quick glance at Damian, who had slid down on the couch so his head would not be in the reflection anymore. Tim sees the cold, warning hint to his eye, a clear do not speak of it message.

Tim doesn't like that the mirror is now behind him.

[hinamie]

unconditionally

[trickstersaint]

i want to introduce you all to a project that is very close to my heart... or lack of one. anyway. for anyone who has ever wanted to play a poem. i'd like you to meet aromanticism

(link opens itch.io - she'll run on html in your browser! please be nice to her!)

[apollos-olives]

i want to mention that while yes, the conditions that palestinians live in is horrid, palestine is still a beautiful place.

there are so many stories of people returning from their trip to palestine and all of them saying that they were disgusted and horrified and the living conditions they say the palestinians were in were just awful, and while yes all of that is true, and palestinians do live in ridiculous conditions, i still want to make it clear that palestine is an insanely beautiful place. our mountains are beautiful, our plants are beautiful, our mosques, our churches, our olive trees, our birds. palestine is a beautiful place. it is the birthplace of both christianity and judaism, it is the birthplace of jesus. our temples are astonishing, our food is delicious, our culture is rich, and our diversity is beyond. our dances are beautiful, our clothing, our jewlery, our homes. each and every one of our lives is precious.

go to any palestinian home in the world and you'll see beautiful things. the west wants to get rid of us, to completely decimate every part of our existence, but we will not let them. and we need everyone on our side to help us keep palestine's beauty safe.

[chronalshifts]

i think a lot of people are calling viktor’s reaction to waking up changed and then almost immediately leaving for zaun unrealistic and like… yes it would be. for someone whose mind has not been affected by the hexcore. he speaks differently, he hears sky’s voice through its influence, he can no longer feel the cold, or the warmth of jayce’s hug. he walks away from jayce because he can no longer feel the affection that kept them together, and he sees no logical point in remaining when they have no common ground anymore. he might not be a machine externally, exactly, but his mind certainly isn’t human anymore.

[bixels]

Posting a sneak-peak of this now because I'm about to be In The Shit school workload-wise, so this'll take me a while to finish.

Doing some character design exploration/expression sheets for Celestia and Luna. Figuring out Celestia's weird ass anatomy while I'm at it.

[xxplastic-cubexx]

personal happiness or what the fuck ever

bonus:

[senipsenipsenip]

Eventually, the scrapbook ended. The sun had fallen beneath the horizon hours ago, and some nagging part of Stan's brain was telling him kids shouldn't be up this late. Unless they're breaking into a mini golf course. He jerked his head back, furrowing his brow. That was...oddly specific.

"Grunkle Stan?" a little voice - Mabel - questioned. He looked down at his knee to see where his great-niece was sitting, eyeing him with no small degree of concern. "Are you okay?"

He ruffled her hair. "'Course, Pumpkin. Just trying to shake some of those memories back in the right place, huh?" He gave an exaggerated shake of his head, smacking the side like he was trying to get water out his ears. "Got a straggler! Hup! There we go," he grinned, lowering his hand. "Good as new!"

Whatever he said must have been the right thing, because Mabel's eyes had lit up like he'd told her he was turning the Mystery Shack into a cotton candy emporium and Dipper had a sudden death grip on his other leg.

"Geez kid, you're clawing through my pants here," he grumbled, making no move to take away his nephew's hand. "Haven't you chewed your nails off by now? How're they so sharp?"

"You called me Pumpkin," Mabel whispered.

"You remembered I chew my nails," Dipper said in awe. Then he frowned. "Hey, how come Mabel gets a nice one and I get a gross one."

Stan shrugged. "'Cause she's nice, and you're gross."

"Ha! Zoom!" Mabel pumped a fist in the air before collapsing back into Stan's lap in a fit of giggles. Dipper rolled his eyes, but he was smiling as he settled back against Stan's other side. Ford stayed perched on the arm of the chair, smiling fondly, but eyebrows still drawn together.

"What's the matter, Sixer?" Stan frowned as Ford grimaced at the nickname. "What?"

Ford waved off Stan's concern. "It's nothing. It's..." Ford sighed. "I'm sorry. It's not nothing. I just don't want to..." He pursed his lips.

"Don't leave us hanging." There was a shake in Stan's voice, and Mabel shifted closer to her Grunkle.

"I'm glad this has been helpful to you," Ford muttered. "But...you don't remember everything. Not really."

"Whaddya mean?" Stan asked. "I remember you, the kids, Soos. The freeloading jerk who steals my sandwiches." Stan glared at Waddles who simply oinked and started trying to eat his shoelace. Whatever. Free pass for jump starting his memories. He better not get used to it.

Dipper sat up. "Yeah, what do you mean, Great Uncle Ford?"

Ford frowned. "I just... Hm." He seemed to be weighing something in his mind before turning to Stan with some resolve.

"Stanley," he began slowly. "I hope you appreciate what I'm about to do for you."

"That's not terrifyingly ominous," Stan muttered, glancing around at the available exits.

"Do you remember my - " Ford cleared his throat. "My first kiss?"

Stan froze. "What?"

"My first kiss, do you remember it?"

"I was there?"

"Yes. Unfortunately a lot of people were."

Mabel squealed beside Stan. "Ooo! Romance memories! How old were you? Was it high school? Was it a high school romance? Was it star-crossed love between the nerd and the cheerleader?"

"Mabel, I think Grunkle Stan is supposed to figure that stuff out."

Mabel sat up and stared at Stan expectantly. "Come on Grunkle Stan! I need details!"

Stan shook his head, nose wrinkling like he'd smelled something rotting. "How should I know? Who asks their brother that sort of thing?"

"Precisely." Ford spoke with the same air of professionalism he adopted when explaining his theories, despite the alarming shade of red his face was becoming. "So far it seems that your memories are returning based on external stimuli, whether that be Mabel's scrapbook or our own prompting."

"So, wait, you're saying I won't get all my memories back?"

"No! No that's not what I'm saying," Ford held up his hands. "What I'm saying is we can't expect them all to come back at once. And at the risk of turning the Shack into the set of the Johnny Carson show, we'll keep asking you questions."

Stan frowned. "What if I don't wanna remember my brother smooching some babe?"

Ford turned redder. "You do."

"I do? Geez, I was a perv."

"In the meantime," Ford pressed. "It's important to take note of any stimulus you experience that makes you remember something. Even if it doesn't paint the whole picture for you, we can fill in the blanks. Or prompt you to remember more details."

Dipper grinned. "And then we get to learn more about the secrets you've been hiding, old man."

Stan lifted his hand to give Dipper a well-earned noogie, but paused before he could make contact. "Old man...did you...did you tell me to shut up one time and then punched me?"

Dipper balked. "What? No I - "

"YEAH no WAY that'd be CRAZY!" Mabel interjected a bit too loudly. "Anyway let's get back to that kissing story, huh?"

"Actually Mabel, I don't know if I want to hear about Great Uncle Ford kissing anybody either."

"Oh come on, Dipper. Are you jealous that The Author got someone to kiss him and you didn't?"

"What? No!"

"Some girls like nerds."

"Mabel I don't want to think about anybody in this room kissing anybody."

"You could learn from him Dipper! Figure out how to wield your nerdish charms. Soon you'll be like a kissing machine!"

"MABEL -"

The twins were silenced by a sudden gasp from Stan. His eyes were wide and unfocused, his jaw hanging open as if someone had knocked the wind out of him.

"Holy - " he choked out softly.

"Grunkle Stan?" Dipper sat up fully. "Are you okay?"

Stan didn't acknowledge him, eyes darting around minutely.

"Grunkle Stan?" Mabel asked softly. "Did you remember something?" Moisture had begun to gather in the corners of Stan's eyes, one of his hands covering his mouth as he began to shake.

"Great Uncle Ford?" Dipper turned to Ford, worry stitching his brows together. But Ford didn't look worried. If anything, he looked like he wanted to disappear through the floor. His face was an alarming shade of red, nearly identical to his sweater. Stan let out another choked sound.

"Are you..." Mabel trailed off. "Grunkle Stan are you laughing?" He was quaking now, his hand falling from his mouth to reveal a wide, open-mouthed smile. He began slapping the arm rest with his free hand, eyes squeezed shut and tears rolling down his cheeks. Dipper and Mabel shared a look. Sure, they'd seen Stan laugh before, but it was usually a loud guffawing thing. They'd never seen him like this. They shared a tentative smile. Either this was the hardest they'd seen him laugh, or he had really snapped.

Ford seemed to pick up on their worry. "He's fine," Ford offered. "He's just...remembering my first kiss." At Ford's words, Stan let out a loud cackle, burying his face in his hands.

Mabel cocked her head. "But what's so funny about -"

"You children must be exhausted," Ford blurted out, standing abruptly. "Come now, go wash up then head to bed!"

"Oh no you don't!" Stan shouted. He wiped tears from his eyes, still smiling. "You're not getting out of this one, pal!"

"Stanley, this conversation is hardly appropriate for children -"

"You brought it up!"

"And now I'm putting a stop to it."

Stan grabbed his head. "Ooooo ow," he gave an exaggerated groan. "My poor head. The mean man won't let me share my memories so they're all going away!"

"Stanley, please don't joke about that."

"I'm fading away - "

"Stanley."

Stan crossed his arms. "You know, you really know how to take the fun out of amnesia."

"Yeah! Come on Grunkle Ford," Mabel pouted. "You can't just leave us hanging!"

"Yeah!" Dipper joined in. "If it's a funny story I want to hear it."

Ford spluttered, pulling at the sleeves of his sweater and looking around for an exit.

"Come on, Sixer," Stan chimed in. His eyes had gone soft around the edges. "I think the kids deserve a funny story."

After today went unspoken. Ford met Stanley's gaze, already feeling his resolve melting before he even turned to his grand-niece and nephew's inquisitive smiles.

"Alright," Ford conceded. "But to maintain the integrity of the exercise, Stanley will be the one to tell it. Whatever he doesn't remember, I can fill in."

Stan rubbed his hands together. "Oh boy, this'll be good."

"I regret this already."

"It's alright Great Uncle Ford," Dipper patted his shoulder. "We have a whole summer's worth of stuff we get to make fun of Grunkle Stan for. This just gives us stuff to use against you now. Levels the playing field."

Ford frowned. "Is that meant to be comforting?"

Dipper shrugged.

"Alright you two, enough yapping." Stan grinned, leaning forward in his seat and spreading his hands out in front of him. It was the same way he started his campfire tales. Mabel and Dipper met each other's eyes and smiled.

"Once upon a time, there was a beautiful girl named Kiss-Bot..."

[remxedmoon]

(You don’t know how much longer you can do this.)

hi the wip for this was absolutely not supposed to blow up. why does that have 1k notes. horrifying. anyways!!!! it’s update time baby!!!! 64 new assets this time around!

so that’s what the caption was supposed to be. this update was already pretty damn big and took a ton of time to make!!! and i was finally done!! but then my hand slipped and now we’re at 143 new assets. super sorry for the delay! That Was Not Supposed To Happen.

i’ll go more indepth below the cut, but this update encompasses all menu/profile art for both isat and sasasaap, battle portraits for sasasaap, every single pixel icon in isat (to my knowledge anyways), the dialogue skipping animations, and a few miscellaneous additions.

also i spent too much time on these to put them below the cut so Please God Look At My Icon Resprites I Spent 16 Hours On Them. enjoy!

okay first things first. why the hell is this batch 143 assets. so. i HEAVILY underestimated how many times the menu drawings are used in the games. even removing all of the custom art, it’s still ≈30-40 variations! that’s a lot! and once i finally finished everything, i got Posting Anxiety and somehow convinced myself that attempting Animation And Pixel Art (two things i haven’t done in YEARS) would be easier than writing a normal post. so here we are.

the custom art here is pretty much par for the course at this point. extra menu art for bonnie, extra expressions for the party in act 5, we’ve done this enough times that it’s expected. i am aware that bonnie’s custom menu art gets completely covered by the ui. i kept it in because it’s really funny (and also i didn’t feel like extending the sprite (but then the sasasaap version forced me to extend the sprite anyways so Whartever)).

once again, provided a spritesheet for sasasaap’s battle portraits! i do intend to cover both games, it’s just a slightly lower priority atm. unlike isat though, i’ve got Less (read “No”) experience with sasasaap, so there might be more issues with those assets?? apologies if there are, i’ll try to fix any issues that come up!

the Miscellaneous Additions i mentioned above are the sprites used on the teleport map and the loading screen, which is just a tiny version of the skipping animation. they were pretty small, so i figured i might as well get them out of the way!

not actually much to say about the 75 icons surprisingly! i haven’t done pixel art in about 5 years?? and that’s a Travesty actually these were super fun to make. i did make mockups for the overworld sprites earlier, but they aren’t Officially part of the redraws (yet) so they’re getting posted seperately

and also!! some exciting news!! this project might actually become a Proper Published Mod pretty soon!! i’ve been in contact with someone who’s willing to help me get everything set up, and i’ll be getting a Usable Computer around the end of the year!!!! it’ll still be at least a month before it’s up (i’d like to get the enemy art finished beforehand wauaua) but!!! still exciting!

okay, i think that’s everything relevant to the update!! i Definitely can’t fit all of the relevant assets here lol. but i’ll try my best ! please enjoy !!

[royalarchivist]

Phil: I still stand by, if I get a snail, I'm gonna fail RP and log out.

Sneeg: I don't think they're gonna give you one just like, unsolicited. Especially 'cuz you've threatened to not play? 🙄

Phil: [Cracks up] I've played these games before! I've done it before, man! I genuinely probably need therapy, but I'm just putting it off! [Laughs]

Sneeg: How do you explain to a therapist that you're attached to an Egg from Minecraft though? 🤨

Phil: Ok, so there's this server, right? And it's ran by my friend, and– It's– brings in people from various different cultures and languages, and then– and then he decided: "Oh, you know what would be really cool to keep people playing? And invested? What if we give them a fcking EGG?"

Phil's Chayanne and Lullah emotes were made by @strawbekka.

[ Full Transcript ↓ ]

—

Phil: I still stand by, if I get a snail, I'm gonna fail RP and log out.

Sneeg: I don't think they're gonna give you one–

Phil: Good

Sneeg: –just like, unsolicited. Especially 'cuz you've threatened to not play? 🙄 Um...

Phil: [Cracks up]

Sneeg: I don't think they're... I don't think they're gonna gamble on that.

Phil: I'm not doin' this NPC, like– actor– like, thing on server again! I've played these games before!

Sneeg: [Laughs]

Phil: I've played these g– I've done it before, man! I genuinely probably need therapy, but I'm just putting it off! [Laughs] For- for fckin'–

Sneeg: How do you explain to a therapist that you're attached to an Egg from Minecraft though?

Phil: Ok, so there's this server, right? And it's ran by my friend, and– it's–

Sneeg: [Overlapping with Phil] There's this server– and then there was an Egg, with a glock. [Laughs]

Phil: –Brings in people from various different cultures and languages, and then– and then he decided: "Oh, you know what would be really cool to keep people playing? And invested? What if we give them a fcking EGG?"

Sneeg: Attachment. [Laughs] Attachment to something!

Phil: "What if we give them an Egg that- that has wants and needs? And you need to look after it."

Sneeg: And a personality!

Phil: Yeah, "And a personality, and- [stammers] and quirks and- and–"

Sneeg: [Overlapping with Phil] And its life's in danger, people– things were trying to kill it.

Phil: Yeah. And things keep trying to kill it, and you have to save it, you are its– you are its only s– hope.

Sneeg: If it dies, it's your fault. It's your fault! Your fault. [Laughs]

Phil: [In unison with Sneeg] Your fault! Your entire audience of thousands of people will be PISSED if you don't care! If you don't care, you are a MONSTER!

Sneeg: [Overlapping with Phil] And they're so valid, they're so valid 'cuz it's true.

Phil: [Laugh] Imagine joining my stream, and I'm just like reading a bedtime story to a little Egg.

Sneeg: [Cracks up]

Phil: Like– [Laughs] Like, what a CRAZY way to come back!

Sneeg: "Oh, my favorite vanilla Minecraft streamer Philza Minecraft's on– playing Minecraft today, let's see what he's doing!" [Voice cracks as he tries not to laugh]

Phil: Yeah, "What's- what's Kusump?" [QSMP]

Sneeg: –and you're like: [Leaning into his mic] "Humpty Dumpty." [Laughs]

Phil: "What's Kusump? What's this? Why's he got an Egg, and why is it just holding up a sign that just says 'Food'?"

[mamawasatesttube]

the whole "jason rules crime alley and none of the other bats are allowed there!!1!" thing is so funny like. tim LITERALLY lives in the theater where bruce's parents died,

[erinwantstowrite]

here are your peter doodles from last night,,, my art style is still changing and i can't settle on anything which is driving me insane but at least he looks cute